From dissonance to note-cluster: the application of musical-rhetorical figures and dissonances to thoroughbass accompaniment of early 17th-century Italian vocal solo music
Identifieur interne : 000428 ( Main/Exploration ); précédent : 000427; suivant : 000429From dissonance to note-cluster: the application of musical-rhetorical figures and dissonances to thoroughbass accompaniment of early 17th-century Italian vocal solo music
Auteurs : The Re Se De GoedeSource :
- Early Music [ 0306-1078 ] ; 2005-05.
Url:
DOI: 10.1093/em/cah068
Affiliations:
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Le document en format XML
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<affiliation><wicri:noCountry code="no comma">Thérèse de Goede is a harpsichordist and teaches basso continuo and historical performance practice at Amsterdam Conservatory. Presently she is preparing a doctoral thesis for the University of Utrecht on early basso continuo with an emphasis on the realization of unfigured basses.</wicri:noCountry>
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